The world in a Geranium pot: Female paranoia and love of detail in Schor, Beauvoir and Arendt

Might paranoia bear some promise, not only danger, for democratic theory and politics? To suggest that we should treat paranoia with anything but disdain today, in the age of Q anon and other white-supremacist lies, seems dangerous. But three decades ago, feminist theorist Naomi Schor took the risk and defended female paranoia, arguing that paranoia is an appropriate affect for feminist theory and critique. This essay follows Schor’s invitation to risk proximity to paranoia. I argue that the political importance of Schor’s essay lies in one particular attribute of female paranoia that she celebrates: its love of detail. To explore the promise and limitations of the paranoid love of detail I pair Schor with two 20^th-century theorists – Hannah Arendt and Simone de Beauvoir. Each studies a paranoid woman who clings to details: Arendt’s Rahel Varnhagen counts the number of teacups that she serves in her German salon. Beauvoir’s housewife collects tufts of dust. With Schor, Arendt and Beauvoir, the article argues that love of detail is a critical component not only of paranoid indictments of the world, but also of any project that desires to repair the world in the wake of paranoia.